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Best bass after the golden age!

thank you Rossini thank you Abbado thank you all, for making me listen to this overwhelming and hilarious musical masterpiece

🧭🍋🌹🪢🎶🥰🌼🌍✒📃🌸🍒🧸💮🌺📚🇻🇦✝️🇻🇦🔎🎨🌿🤗🕯🌻💐👌🇦🇲💒🇦🇲🏵🧭🌼🇲🇬✝️🇲🇬🎶💮🍒🍋💛🇻🇦✝️🇻🇦💛🍋🌸🌺💮🕊🎨🌿🤗🕯✒🌿😊❤🕊🇻🇦✝️🇻🇦🔎🙋‍♂️

P

(Grazie o cielo! Vi è un’anima ancora Che a pietade e a giustizia si arrende Nuova speme nel petto mi scende, Mi consola, e coraggio mi da.) 04:58

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Che bravo!

Араси-сан, когда на сайте исправят ошибку 504?

I saw Ramey in several operas, including this one [but not this production]. Here he is not recorded well and the voice does not have the huge sound it really had in the house.

Cena na época certa é grandiosa.... Produções atuais destroem o contexto da obra.

Mi chiedo come i protagonisti siano riusciti a cantare

Это божественно! Лиепа здесь бог!

Это такая Красота, Великий Марис Лиепа 2:20

Thanks for posting this! I heard him at the MET in Semiramide (it should have been called “Sammy-Ramey-Day” -which after hearing him, I named my cat)! His technique-flawless, a beautiful large warm timbre and such intonation to his coloratura! Didn’t hurt the eyes either!!

Потрясающе!

🎉

Two great mezzos. My favorite version. Brava Garanca and Karasova.

Qué cantantes maravillosos!!!! Una joya!!!!

Aria bellissima (come tutte le arie rossiniane, sfido a trovarne una brutta) e di difficilissima esecuzione. Le ripetute sollecitazioni del registro acuto, i continui passaggi di registro a volte repentini, l'ardua coloratura, la rendono molto compllicata, se si vogliono eseguire tutte le note dello spartito rossiniano, da cantare per gran parte dei bassi. Ramey con la sua nobile voce e tecnica d'acciaio la risolve magnificamente.

Grandiosi in un' eccezionale affinità d'intenti tra tutti.....che esecuzione stellare

Exquisite..

😍💖

It isn't opera without Luciana!

It may be called Spartacus, but Liepa and Timofeyeva steal the show with their power and sexiness!

this guy is absolutely amazing! I'm feeling sad for not having known him earlier.

😢🌹

I just discovered Samuel Ramey this past year He's fantastic voice and acting have helped me for it through a very difficult time what an inspiration!

Giù il cappello signori... Ecco un genio. Rossini travolgente, con cast e direttore stellare 🔥

Граф потрясающий красавец!

I am sorry that in my working life as a musician I was not told about Samuel Ramey,ans I was working in the opera. But now I can listen to his recordings with pleasure…thank you!

Beautifully constructed and deeply exciting finale. Love the middle section at 3:02.

Meraviglioso!!!!!!!!!

Good) but Ramey is the best Mefistofel)

Classe infinita

parfait comme toujours

Bravo 👏👏👏

Сам Великий Рим бы рукоплескал!!! Ave!

Ich bin immer wieder erstaunt über Ihre Stimme und Persönlichkeit. Ich glaube, wir haben einen gemeinsamen Freund. Die beste für mich ! 

The finest baritone of many a generation.

Il francese di Ramey è comprensibilissimo. Ho capito quasi ogni parola! La coppia Ramey-Lafont mi piace molto: due grandi cantanti-attori.🌹💔👍

Pour moi Abdrazakov est l'un des meilleurs interprètes de Méphistophélès il as vraiment compris le personnage je trouve il est incroyable

My favorite lines in the torture scene.... SCARPIA: And now, you must tell me the truth! TOSCA: Please, now, can I see him....? SCARPIA: No!............ TOSCA: Mario.... MARIO: Tosca... TOSCA: Are they badly hurting you? MARIO: Please, be strong! Quiet down! Quiet down! I laugh at such agony.........

Well, if they have made a movie of this, there should be the revealing of the torture room for Mario Caravandossi, because most productions keep the torture room closed up. According to the libretto, the torture machine depicts something like a crown of thorns that is suspended at head-level, and a circle around the thorns that squeezes to pierce the forehead of the victim (mechanically or hydraulically, probably by a pulling device or wind-up device), causing blood to drip without mercy and forcing the victim to agonize in pain, and backs away when it is required to let go of the torture (especially on the command by Scarpia, "Sciarrone, sciogliete!" (or "release" or "let loose")) The torturer's name is Roberti, who operates the painful machine, and Sciarrone is there to supervise the torturer and interrogate Mario who is in that. This is likely for future operatic productions of "Tosca."

Sparkling and effervescent anytime but especially so at the breakneck speed here. Olympic athletes, bah! These people are the true Olympians.

не большой фанат балета но сама постановка доставляет ...

Massenet is one of the best French composers ever.

Советский Союз славился Балетом (именно с большой буквы) - по праву! 👏👏👏

Excellent - thank you

0:00 tu ne 2:50 quelles amour 4:40 ta mere 6:25 c'est sa voix 9:35 chante chante

je ne m en lasse pas